Angela Allen

New World to real world

An Oregon classical bassist steps toward the future in Miami with the legendary Michael Tilson Thomas and the New World Symphony

Originally Published in Oregon ArtsWatch April 2018

Kyle Sanborn, a gifted musician, knows he’s on his way to playing many more Beethoven symphonies and Brahms concertos in his orchestra blacks. Born and reared in Portland, he is a first-year fellow – don’t call him a student – at the New World Symphony in Miami Beach, Fla., a laboratory in its 30th year of educating classical music’s next generation. Read More

Spontaneous Combustion reviews

Hub New Music

Originally Published in Oregon ArtsWatch March 2018

Hub New Music, an innovative Boston-based group shaking up chamber music, has members younger than 30 years old who make clarinet, violin, flute and cello play as one— if not always harmoniously. But harmony has never been the main component of 21st century music. Read More

PDX Jazz Festival reviews: music and more

Regina Carter, Bill Frisell & Thomas Morgan, Luciana Souza, Tigran Hamasyan and young Portland visual artists were among the highlights of the annual celebration of jazz

Originally Published in Oregon ArtsWatch March 2018.

From elite jazzers to startling up-and-comers, the 2018 Biamp PDX Jazz Festival spread the music around Portland Feb.15-25 with a 100-plus gigs, twice as many musicians, and a wide spread of venues and event prices, many free. Read More

PDX Jazz Festival preview: tributes

This year's jazz celebration offers homages to recently passed masters as well as today's sounds

Originally Published in Oregon ArtsWatch February 2018

The past year saw a number of members of jazz royalty ascend to jazz Valhalla: Jon Hendricks, Al Jarreau, Geri Allen, Thara Memory and Hugh Masekela, among others. But jazz lives on. Read More

Sunwook Kim review: subtle touch, dynamic range

Versatile Portland Piano International recitalist knows when to exercise restraint — and when not to

Originally Published in Oregon ArtsWatch January 2018

Sunwook Kim opened his January 14 Portland Piano International recital with J.S. Bach’s Toccata, Adagio and Fugue in C Major, BWV 564, written for organ (think majestic, reverential, full-voiced) and ran furiously through the opening toccata. Read More

“Cosi fan Tutte” review: identity crisis

Seattle Opera's production reveals that Mozart's comic opera is about more than sex

Originally Published in Oregon ArtsWatch January 2018

In Seattle Opera’s production of Mozart’s Cosi fan Tutte, the stage’s main prop, aside from an inviting pile of mattresses, is a tall mirror. Each character pauses in front of it at some time, checking out his or her current reflection, or identity. The mirror is a throwback symbol in this thoroughly contemporary production, but it says more than a selfie, which catches only a moment and can be edited ad infinitum. Read More

PSU Opera’s ‘Cinderella’: sweet and silly in the salon

University’s production of Pauline Viardot’s operetta is a fairy tale within a play, set to music

Originally Published in Oregon ArtsWatch December 2017

Cinderella is no stranger to the stage. Portland State University’s Cinderella is far from Gioachino Rossini’s 1817 Cenerentola or Jules Massenet’s 1899 version. Neither is it a by-the-book replica of the childhood fairy tale where a pretty downtrodden girl seeks her step-family’s love and that of a prince – and lucks out because the shoe fits! Read More

Christina & Michelle Naughton reviews: sister act

Portland Piano International brought identical twin virtuosos for two recitals, and they delivered performances as polished as their presentation

Originally Published in Oregon ArtsWatch December 2017

I was privileged to hear 30 young virtuosos compete for the prestigious Van Cliburn International Piano prize last summer in Fort Worth, Texas. Ranging from 19 to 30 years old, they played technically difficult, swooningly expressive pieces. Consider Sergei Rachmaninoff’s Piano Concerto No. 3 in D minor, Op. 30 and Antonin Dvořák’s Piano Quintet in A major, Op. 81, two of the most performed during the festival. Read More

Voice in the Wilderness: opera singer Nicholas Meyer

Childhood friends shape new made-in-Oregon opera 'Two Yosemites'

Originally Published in Oregon ArtsWatch September 2017

Nicholas Meyer’s friendship with Justin Ralls began decades before they collaborated on Ralls’s new Two Yosemites opera. The two boys  grew up kicking around the soccer ball in their southeast Portland neighboring ‘hoods of Eastmoreland and Sellwood. They played in the Sellwood Middle School jazz band (Meyer on clarinet, Ralls on drums) and sang in the Cleveland High School award-winning choirs. Read More

Yasko Sato, photo by Jacob Lucas

‘Madame Butterfly’ review: caged dreams

While confronting social and cultural issues, Seattle Opera's new production of Puccini's classic doesn't neglect the music

Originally Published in Oregon ArtsWatch August 2017

Giacomo Puccini’s Madame Butterfly debuted in 1904 and it has been jerking tears ever since. The opera classic remains resilient and fresh when done well, as it is in this Seattle Opera production playing through Aug. 19 at Seattle’s McCaw Hall. Read More