Opera, as the hype goes, promises high drama and grand emotions. Oddly, I can’t remember an opening night soaring to such heights when I take along a date.
I’ve reviewed the opera for a dozen years from the best seat in the house. I dis a few. But mostly I swoon, even over a warhorse, like Verdi’s “Otello” where a fat baritone writhes on the floor in deep emotional pain.
Once an opera-lover, always one. Read More
"Elektra" failed to sell out during Seattle Opera’s autumn run, but those who heard the early 20th-century piece were drenched in a tidal wave of post-Romantic music. Read More
Here's guest writer Angela Allen's review of the Oregon Symphony concert on November 15th. Read More