Fifty-seven years after the birth of bossa nova, Brazilian music continues to stir up listeners with its danceable rhythms, beguiling melodies, and sweet soft Portuguese lyrics. In less than a week, Portlanders will have the chance to hear radically different styles of buoyant Brazilian jazz from two popular artists. Anat Cohen… Read More

Gerald Clayton says he was a “normal kid” growing up in Los Angeles pursuing ordinary things like soccer, skateboarding, school. What was extraordinary was his family. His father, John Clayton, is a renowned bassist and band leader, and his uncle, Jeff Clayton, a saxophonist supreme. With such blue jazz blood,… Read More

PSU Opera always surprises me with the high quality of its productions and the skill of its young singers, many of them undergraduates. This is not professional opera (though advisors and directors are professionals), but it can reach impressive heights, and does in this double bill of two very different, very… Read More

Even before he steps onstage for his Friday concert in Portland, Dave Holland has made a sizable contribution to Oregon jazz. The world renowned jazz bassist owns the upright bass instrument that belonged to the  late “The Walker” Leroy Vinnegar. “Rather, I’m its custodian,” Holland said this spring from his… Read More

Unoccupied seats are often the price an opera company pays when it tries something new and off the oft-beaten path of French and Italian opera. There were plenty of empty rows opening night, February 25, at the Seattle Opera, but perhaps by the end of the Katya Kabanova run, seats will… Read More

“I have always loved a lot of different kinds of music,” Maria Schneider said in February from her Manhattan apartment where she’s lived for decades. In her multiple Grammy-winning jazz orchestra’s music, “the colors and forms and textures come from classical, flamenco, and Brazilian influences.” They’re tied together. “I love melody,”… Read More

There is nowhere to hide in this Traviata. Running only an hour and 50 minutes, German director Peter Konwitschny’s spare version, playing through January 28 at Seattle Opera, focuses keenly and persistently on its characters, on Giuseppe Verdi’s lush and ever-building music, and on the extreme emotions surrounding dying Violetta. She has struggled,… Read More

Kamasi Washington has so charmed and befuddled music writers that some rely on the word “celebrity” to describe him. And a celebrity is rare thing in the tiny jazz world. Named for the capital of Ashanti, the West African pre-colonial kingdom that is now Ghana, Washington hasn’t won a Grammy… Read More

“Some people feel music from the top down; they’re not hip-shakers. They like the violins and long tones,” Catherine Russell, 60, said from her downtown Manhattan home in late September. “Some of us are more rooted in the ground. We hear it from the ground up. Music makes me want… Read More

During the late 1970s and early ‘80s, Renée Fleming worked her way, in part, through State University of New York at Potsdam, and later at the Juilliard School, by singing jazz gigs. Saxophonist Illinois Jacquet thought she was good enough to tour with his big band when she was a… Read More