Clips & Articles: Music
I review the Seattle and Portland operas, and smaller opera companies, for Portland-based Oregon ArtsWatch and Artslandia, and for Classical Voice North America, the official web site of the Music Critics Association of North America, of which I am a member. I write about classical, chamber and jazz music for Oregon ArtsWatch, Classical Voice North America, and previously, for Oregon Music News, concertonet.com and Northwest Reverb. For more stories and music reviews, check the archives at www.columbian.com between 1995-2006. My 2005 National Endowment for the Arts and Columbia Journalism grant helped immensely in music coverage.
Jazz Fest, week 2: Hanging around with Jovino Santos at The Old Church
The Brazilian-American pianist-flutist-composer and his quintet performed a spontaneous set to an enthusiastic audience.
Originally Published in Oregon ArtsWatch March 2025
“I have no idea what we’ll play next,” Jovino Santos Neto chuckled as he ran chords up and down The Old Church’s Steinway’s keys, joking that he and his quintet, in the second set, would play the first set’s tunes backwards. Read More
Jazz Fest, week 1: A feast of sound from Terence Blanchard to Jimmie Herrod and much more
Despite some cancellations and a postponement by Erykah Badu, this year's festival has been flooding the city with terrific and widely varied sounds in 35 venues around town.
Originally Published in Oregon ArtsWatch February 2025
With a 10-day bang-up lineup of 70 acts performing at 35 venues, the Biamp Portland Jazz Festival has been waking up the city. The festival opened Feb. 20 and will wind up March 1. Read More
Magician status: Wu Han and David Finckel’s evening of “Russian Revelry”
Chamber Music Northwest hosted the pianist and cellist performing music of Rachmaninoff, Prokofiev, and Myaskovsky.
Originally Published in Oregon ArtsWatch February 2025
Let’s be grateful for those mid-century Russian composers who made so much emotional music and survived so much political oppression. Fortunately, the music endured and Stalin is gone: “Who thinks about him anymore?” pianist Wu Han said, warming up the sold-out Chamber Music Northwest audience on a cold Feb. 6 night at Portland’s The Old Church. Read More
More colors, more timbres, more palette: 45th Parallel Universe premieres new Andy Akiho composition at The Reser
The Oregon composer’s new chamber piece “Copper Variations” was featured in a concert of contemporary classical music alongside works by Steve Reich, Philip Glass, and Daniel Wohl.
Originally Published in Oregon ArtsWatch February 2025
BEAVERTON – 45th Parallel Universe’s New Year, New Akiho framed Portland percussionist/composer extraordinaire Andy Akiho as the headliner at its much anticipated Jan. 28 concert at Patricia Reser Center for the Arts. Akiho’s short world premiere, Copper Variations, was performed before intermission of the two-hour concert, the third of four contemporary pieces on the gutsy program of ear-bending contemporary music. Read More
Togetherness counts: The Florestan Trio returns to The Old Church
The Portland trio–pianist Janet Guggenheim, violinist Carol Sindell, and cellist Hamilton Cheifetz–performed an evening of Mendelssohn, Haydn, and Beethoven.
Originally Published in Oregon ArtsWatch January 2025
Felix Mendelssohn’s 1839 “Piano Trio in D Minor, Op. 49” was the final piece of the Florestan Trio’s concert, presented by the Friends of Chamber Music Jan. 26 at Portland’s The Old Church. The chilly midwinter night in the snug, acoustically resonant space made you feel as if you were at a chamber concert in a small northern European church, the composers not centuries away. Read More
The piano ain’t got no wrong notes: Aaron Diehl Trio at The Reser
The jazz pianist, with bassist David Wong and drummer Aaron Kimmel, performed a set of originals and uncommon tunes by Jobim, Monk, and Shorter.
Originally Published in Oregon ArtsWatch January 2025
BEAVERTON–Not that I’d outlaw the scruffy looks of most performing Portland jazz musicians, but a change-up is welcome when an East Coast group such as the Aaron Diehl Trio comes to town. Dressed in coats and ties, Diehl’s starched white cuffs gleaming like the piano keys, the trio performed coolly Jan. 19 in front of plush velour curtains turned deep blue by lighting at the 550-seat Reser Center in Beaverton. Read More
Utterly in charge: Chamber Music Northwest directors (current and former) Gloria Chien, Soovin Kim, and David Shifrin
The trio–piano, violin, clarinet–opened CMNW’s non-summer season with music by Brahms, Bartók, Stravinsky, and Ravel.
Originally Published in Oregon ArtsWatch October 2024
Chamber Music Northwest’s opening fall/winter/spring concert Oct. 5 at The Old Church didn’t present an evening of easy listening, but it elegantly illustrated why we have the music we hear these days. Or at least, some of what we listen to. Read More
All the small things we can be grateful for: Magos Herrera and Vinicius Gomes at The Old Church
The Mexican singer and Brazilian guitarist performed songs from Herrera’s recent albums.
Originally Published in Oregon ArtsWatch October 2024
So many Latin jazz vocalists populate the planet, and so few sing in Portland. But PDX Jazz mixed it up early this month, and we got lucky Oct. 1 when Mexican jazz singer Magos Herrera and Brazilian guitarist Vinicius Gomes performed for two hours at The Old Church. Read More
Poetic, powerful `Shizue’
After a short run at the Brunish Theatre, Portland Opera To Go will take the internment-themed opera to schools across Oregon and Southwest Washington.
Originally Published in Oregon ArtsWatch October 2024
Yet another American wartime atrocity – the internment of Japanese people living in the United States during World War II – is given voice in Portland Opera’s world premiere, Shizue: An American Story. It opened Oct. 4 for a short run at Portland’s 200-seat Brunish Theatre. Read More
Handmaid’s horror tale
Poul Ruders and Paul Bentley’s setting of the Margaret Atwood classic, running at SFO through Oct. 1, offered many disturbing moments and little peace.
Originally Published in Oregon ArtsWatch September 2024
The San Francisco's Opera’s "The Handmaid’s Tale"" is important — and very dark. See Angela’s review. Photo by Cory Weaver/San Francisco Opera. Read More

