Clips & Articles: Music
I review the Seattle and Portland operas, and smaller opera companies, for Portland-based Oregon ArtsWatch and Artslandia, and for Classical Voice North America, the official web site of the Music Critics Association of North America, of which I am a member. I write about classical, chamber and jazz music for Oregon ArtsWatch, Classical Voice North America, and previously, for Oregon Music News, concertonet.com and Northwest Reverb. For more stories and music reviews, check the archives at www.columbian.com between 1995-2006. My 2005 National Endowment for the Arts and Columbia Journalism grant helped immensely in music coverage.
Other worlds beyond Earth: Seattle Opera’s ‘Orpheus’
A stunning staging with top-notch design and choreography brings Gluck's 1762 music into a thoroughly contemporary Underworld.
Originally Published in Oregon ArtsWatch January 2022
Since the 1600s, countless Orpheus and Eurydice operas have been staged. Today, several have been making the rounds, including Matthew Aucoin’s (with playwright Sarah Ruhl’s libretto) Eurydice, written from Eurydice’s point of view. Read More
It always works out: A joyful journey with David Krakauer and Portland Chamber Orchestra
Rock star clarinetist and PCO celebrate Hanukkah with klezmer improvisations and a Wlad Marhulets concerto
Originally Published in Oregon ArtsWatch December 2021
Hanukkah, klezmer music, and David Krakauer united in Portland Chamber Orchestra’s “Joyful Journey” Dec. 4 at northwest Portland’s Trinity Episcopal Church. The exuberant musical trip through celebratory and revived Eastern European Jewish (Ashkenazi) music lived up to its billing. Read More
Contrasts and comparisons: Brentano String Quartet’s concert of Stravinsky miniatures
CMNW artists-in-residence perform the composer’s chamber works with complementary music by Cage, Machaut, Gesualdo, Verdi, and Beethoven
Originally Published in Oregon ArtsWatch December 2021
The Brentano String Quartet’s “A Tribute to Stravinsky” Dec. 3 at Portland State University’s Lincoln Recital Hall invited the audience on a thought-provoking journey. But you had to listen up — and read up — and keep your mind wide open, because there was a lot to understand. Read More
Taming the French horn: Radovan Vlatkovic at Chamber Music Northwest
Vlatkovic, performing with CMNW co-directors Gloria Chien and Soovin Kim, gets a five-minute standing ovation.
Originally Published in Oregon ArtsWatch November 2021
French horns don’t get a lot of attention.
That is, unless one is tamed by Yugoslavian-born (now Croatian) Radovan Vlatkovic. He is embraced by horn musicians internationally, so no surprise that the entire Oregon Symphony’s horn section showed up to hear him Nov. 18 at Chamber Music Northwest’s sold-out Old Church concert in downtown Portland. Read More
‘Tosca’ review: Gorgeous singing, warhorse tale at Portland Opera
The singing's terrific and the crowd shouted "Bravo!" But the story in Puccini's 1900 hit can't keep up with 21st century times.
Originally Published in Oregon ArtsWatch November 2021
Portland Opera’s Tosca, which opened Oct. 29 in the Keller Auditorium with many of its 3,000 seats empty, possesses the makings of grand opera, including a stellar cast and creative team, many of whom were making their PO debuts. Added to that are opulent sets and costumes, moody lighting, and of course, Giacomo Puccini’s irresistibly sweeping melodic music. Read More
Diving into the moment of creation: Priti Gandhi and Damien Geter lead Portland Opera out of Covid and into a new season
The opera opens with a new artistic director, a new interim music director, a fresh slate of forward-looking priorities – and an old standby in "Tosca."
Originally Published in Oregon ArtsWatch October 2021
A newly shaped inclusive mission, a new artistic director and newer music director, and a familiar 1900 Giacomo Puccini opera will open Portland Opera’s 2021-22 season on Oct. 29. Read More
Review: Center Stage’s fine fit of Fridamania
Vanessa Severo's virtuoso turn onstage joins a rush of Kahlo from the opera to a coming museum show.
Originally Published in Oregon ArtsWatch October 2021
In Portland’s tsunami of Fridamania, Frida … A Self Portrait is on a path to stirring up waves.
In June, Portland Opera staged Frida, a 95-minute production to sold-out audiences at the Jordan Schnitzer open-air stage. The Portland Art Museum’s exhibit Frida Kahlo, Diego Rivera, and Mexican Modernism will run Feb. 19-June 5 next year. Read More
Staging ‘Blue’: Contemporary opera at Michigan Opera Theatre
New work by Tazewell Thompson and Jeanine Tesori reflects Black experience in America
Originally Published in Oregon ArtsWatch September 2021
When a new opera is performed in an amphitheater, big ideas are in store. Such a space signals a spectacle. It reaches out to ordinary people — a lot of them. That’s what the Romans intended in 29 B.C. when they built their first amphitheater.
That is partly what Detroit’s Michigan Opera Theatre creatives had in mind by staging Blue—named the Best New Opera of 2020 by the Music Critics Association of North America—on Sept. 11 and 12 in Detroit’s 6,000-seat Aretha Franklin Amphitheatre. Read More
Man of Many Octaves
Not Bass, Not Baritone, Davóne Tines Revels In A Register All His Own
Originally Published in Classical Voice North America August 2021
PROFILE – Davóne Tines was a freshman at Fauquier High School in Warrenton, Va., when his grandfather, a retired Navy captain and choir director, was joking around with him, exaggerating opera-like syllables. Tines responded in operatic style, and his granddad said, as Tines remembers it, “Well, I think you have a voice.” Read More
“If the center is the human soul”: an interview with Osvaldo Golijov
Angela Allen talks with the Willamette Valley Chamber Music Festival's multifaceted resident composer.
Originally Published in Oregon ArtsWatch August 2021
Osvaldo Golijov is a spare man with a robust repertoire in the contemporary classical-music world. He has written an opera, a Mass, movie scores, song cycles, symphonic music, and lots of chamber music. Though his composing tastes are diverse and far-flung, the Argentine-born composer says that his “spiritual home is chamber music, especially string music.” Read More