PROFILE – Davóne Tines was a freshman at Fauquier High School in Warrenton, Va., when his grandfather, a retired Navy captain and choir director, was joking around with him, exaggerating opera-like syllables. Tines responded in operatic style, and his granddad said, as Tines remembers it, “Well, I think you have a voice.” Read More

Osvaldo Golijov is a spare man with a robust repertoire in the contemporary classical-music world. He has written an opera, a Mass, movie scores, song cycles, symphonic music, and lots of chamber music. Though his composing tastes are diverse and far-flung, the Argentine-born composer says that his “spiritual home is chamber music, especially string music.” Read More

For safety’s sake, live concert audiences in Oregon wine country are limited — cut in half from their usual number of barrel- and tasting-room concertgoers. Partly for that reason, and partly because the intimate series combining wine with music played by spectacular mostly local musicians has proved so successful, live concerts are sold out, though there is a waitlist. Read More

Chamber Music Northwest was the first major Portland arts group to go live indoors since the pandemic with its Reflect/Rejoice summer festival June 28 to July 25 at Reed College’s Kaul Auditorium.

And boy, did its month of live music— not to mention its streamed concerts continuing through Aug. 31 at CMNW’s At-HOME Summer Festival — make a splash, even if the live audience was vastly reduced from former festivals. Read More

Reasons abound to feel at home with Kenji Bunch’s high-flying new work, Vesper Flight for Flute and Piano, that premiered July 10 and July 11 to a rapt Chamber Music Northwest audience at Reed College’s Kaul Auditorium. Read More

Orchestra maestro Leonard Slatkin tells a story about Appalachian Spring and its composer Aaron Copland, who was deep in the throes of Alzheimer’s in 1987. Read More

Despite its three-decade lifespan, Frida remains fresh and flashy. Plenty of sex, angst and art (and a little pot) propel it into contemporary times. Read More

If you watched the moving Journeys to Justice concert, streaming through May 31, you can see that the 56-year-old Portland Opera’s evolution is taking root in a more inclusive philosophy and broader repertoire. The six-piece program of Black-experience songs and chamber operas, sung by PO’s Resident Artists, all performers of color, is a major step into a broader opera world. Read More

In the 30 years I’ve covered Portland Opera—through many changes in administration, artistic direction and philosophy—I’ve never seen such a compelling program as this month’s Journeys to Justice.  Read More

When Portland Opera singers and staff began to discuss Journeys to Justice, a 75-minute program of art songs and opera about the American Black experience, they pleaded with Damien Geter to add to the list his “The Talk: Instructions for Black Children When They Interact with Police.” Read More