Chamber Music Northwest hitched up with Portland’s Northwest Dance Project and Korean-born pianist Yekwon Sunwoo in Friday’s performance of Chopin’s music and original dance. Saturday showcased top Argentine tango musicians with Reed College and CMNW Artistic Director David Shifrin on clarinet. And Sunday, the Oregon Bach Festival’s youthful Berwick Academy, led by the dynamic and equally youthful Matthew Halls, played Beethoven with Portland Baroque Orchestra’s Artistic Director Monica Huggett. Now that’s some crossing over. Read More
How do art and moral responsibility intersect? Or do they?
That’s the endlessly intriguing debate enacted in the new chamber opera After Life, whose world premier was staged on a Monday in early May in a small-ish recital hall at Seattle’s Benaroya Hall. Two weeks later, After Life played to a sell-out crowd in San Francisco’s Temple El-Manuel. Read More
Liam Bonner is easy to find online. He has 1,999 Twitter followers, and he tweets about more than his busy opera schedule. He writes hash-tagged one-liners about beer, Pennsylvania sports teams, Pittsburgh (his hometown), dogs, art, and bad customer service.
“It took awhile to find my voice, but I’ve been dangerous ever since,” the 34-year-old opera singer said over coffee in downtown Portland. Read More
Think you’ve seen enough Carmens? Rest assured one more will be worth dressing up for. This time, Carmen will be far more complex than a seductress. Read More
Take superstar Kurt Elling, who crooned an hour-plus of ‘60s-era Sinatra hits in the first week of the annual Portland Jazz Festival, which ran from Feb. 18-March 1. Read More
Always drawing jazz royalty and trailblazing musicians, the Portland Jazz Festival has conscientiously booked international names — but not always world-famous ones, at least not yet. Read More
A party piece? A masterpiece? A piece of 19th-century confection that resists staleness? Read More
The production reprises Seattle Opera’s 2007 hit, so original in staging, set design, costumes, and pacing that it left audiences with a masterpiece impossible to pigeonhole by period. Read More
If any dance company avoids the obvious, it’s Portland’s 17-year-old imaginative and ultra-flexible BodyVox, which cannot be wedged into any genre or box, no matter how big and bendable the container. Ballet? Modern? Jazz? Full-stage projected videos? Computer graphics as backdrops? Opera collaborators? Wacky. Whimsical. The innovative company’s technically solid members make just about any move in a mix of styles, and make you laugh at their clever movement as they unfold, unlock and untangle. In what has evolved into a Portland starry summer tradition and star-spangled collaboration, BodyVox paired up with Chamber Music Northwest over the Fourth of July weekend. Read More
In Charlie Dennard’s multi-continental musical world, fusion is anything but a dirty word. Then again, when the term is limited to the passé, 1970s-era quasi-mind-bending melding of rock, funk and electronic music, it does translate as a four-letter word to Dennard, though he doesn’t swear too much. The 45-year-old jazz musician/ composer/Cirque du Soleil musical director is as conscious of his polite French roots reaching back centuries into American history (his label is Deneaux Music) as he is of his Southern heritage. Dennard’s southern ingredients include a childhood in Birmingham, Ala., and an adult life, off and on in New Orleans. He studied with jazz pianist Ellis Marsalis (father of brothers Wynton, Branford, et al.) in the late ‘90s at the University of New Orleans, where he earned a master’s degree in music. Read More