Clips & Articles: Music
I review the Seattle and Portland operas, and smaller opera companies, for Portland-based Oregon ArtsWatch and Artslandia, and for Classical Voice North America, the official web site of the Music Critics Association of North America, of which I am a member. I write about classical, chamber and jazz music for Oregon ArtsWatch, Classical Voice North America, and previously, for Oregon Music News, concertonet.com and Northwest Reverb. For more stories and music reviews, check the archives at www.columbian.com between 1995-2006. My 2005 National Endowment for the Arts and Columbia Journalism grant helped immensely in music coverage.
Renée Fleming review: Queen of the Night
Star soprano’s concert with the Oregon Symphony covers a wide range of vocal riches
Originally Published in Oregon ArtsWatch September 2016
During the late 1970s and early ‘80s, Renée Fleming worked her way, in part, through State University of New York at Potsdam, and later at the Juilliard School, by singing jazz gigs. Saxophonist Illinois Jacquet thought she was good enough to tour with his big band when she was a… Read More
Raul Midón preview: Uncontainable talent
"Badass and Blind" New Mexico singer, multi-instrumentalist and songwriter's vast musical range can't be boxed in
Originally Published in Oregon ArtsWatch September 2016
Put Raul Midón in a box and he’ll jump right out. Songwriter, instrumentalist, mouth-musician, soul singer, jazz improvisor, Latin songster, guitarist, baritone. None of those identifiers works alone to define his musical strengths. He is all, and more of them, and there’s no box that will contain him. His ribbons… Read More
Portland Opera’s ‘Italian Girl’: Topsy turvy playground
Wacky production gives Rossini’s bubbly East-West comic tale contemporary appeal
Originally Published in Oregon ArtsWatch July 2016
Pizza, bathing suits, peeping-Tom camels, selfie-sticks, a chorus dressed in modest underwear and a ruler in a loin cloth were among wacky details in Portland Opera’s The Italian Girl in Algiers (L’Italiana in Algeri) at its July 22 premiere in Portland’s Newmark Theatre. These contemporary comic touches enlivened Gioachino… Read More
The Emerson Quartet honors the Haydn-Beethoven link
Chamber Music Northwest's examination of Beethoven continues with the Emerson Quartet
Originally Published in Oregon ArtsWatch July 2016
If any group can make us hear how radical and innovative Ludwig van Beethoven’s music is, it’s the Emerson String Quartet, a regular at Chamber Music Northwest. This year marks their 11th season at the summer festival; they’ll be back for more Portland concerts throughout 2016-17. The group… Read More
CMNW: The Orion takes on Schubert and Beethoven
The Orion Quartet passes the challenges of "Death and the Maiden" and a late Beethoven quartet
Originally Published in Oregon ArtsWatch July 2016
Orion is among the sky’s brightest constellations. You can see it with the naked eye, especially when the stars shine on its belt. In its 12th year at Chamber Music Northwest Festival, the Orion Quartet chose a good name for its consistently lauded 30-year-old group, comprised of brother violinists… Read More
The soulful Zorá Quartet deserved a bigger audience
A free Chamber Music Northwest community concert was sparsely attended, but the Zorá Quartet came to play
Originally Published in Oregon ArtsWatch July 2016
Sunday evening’s Zorá Quartet concert at Clackamas Community College was refreshingly short (about an hour) and delightfully performed. Unfortunately, the free concert was deplorably attended. About 50 people heard this high-spirited soulful presentation of Beethoven and Debussy string quartets at Niemeyer Center. The concert was Chamber Music Northwest’s… Read More
Chamber Music Northwest: All hands on the grands
Chamber Music Northwest put the piano front and center for “Six Hands”, Two Grands"
Originally Published in Oregon ArtsWatch July 2016
Who says classical music isn’t a hoot and a holler? At Tuesday evening’s “Two Grands, Six Hands” concert in Portland State University’s Lincoln Hall, part of Chamber Music Northwest’s summer festival, eight hands played Romantic composer Albert Lavignac’s “Galop-marche.” Read More
At CMNW, great musicians handled Andrew Norman’s ‘Gran Turismo’
String pyrotechnics lit up the Fourth of July for Chamber Music Northwest‘s Summer Festival
Originally Published in Oregon ArtsWatch
“Higher! Louder! Faster!” That’s how 36-year-old composer Andrew Norman describes the “emphatic trajectory” of his 2004 “Gran Turismo.” Eight violinists played this violins-on-speed piece as part of Chamber Music Northwest’s “The Power of Strings” concert Fourth of July weekend (July 3 and 4) at Portland State University’s Lincoln Hall. Read More
Portland Opera preview: Rebuilding a magical world
Portland‘s ‘re-premiere‘ reincarnates Maurice Sendak‘s destroyed design for Mozart's ‘The Magic Flute‘
Originally Published in Oregon ArtsWatch May 2016
To imagine that The Magic Flute is merely beguiling child’s play is to sell W. A. Mozart’s masterpiece short. His last staged opera’s enchanted world, clear-cut good vs. evil themes, lyrical music, and fanciful characters like Queen of the Night, Papageno and Tamino appeal to children of all ages. Read More
“Sting: The Jazz Remix”: New look at a past master
Portland jazz musicians revisit the music of the Police singer and solo star
Originally Published in Oregon ArtsWatch May 2016
“Sting is one of the seminal artists of my generation,” says Portland pianist/composer Darrell Grant. As the leader of The Police (1977-1984) and as a solo artist, the former Gordon Sumner sold more than 100 million records, and his eclectic genre-crossing solo career exerted a huge influence on both Grant and fellow Portland singer and Sting-lover Marilyn Keller when each was shaping a musical career in the ‘80s. Read More